Accoustic sound from nature, birds and music tools (amps, cello and drum kit, studio gear, pillows and bedding) was made possible by the generosity of various individuals and organisations on the islands, and by the dedicated organisational work of Klaemint, the band’s one Faroese member.
Rutger Hauser describe more details, here is the complete details: "Velbastaður is a bleakly beautiful place, but it was uncharacteristically sunny for most of the week. On Friday night, the sessions complete, the fog came down and we drank and danced enveloped in grey nothing. The place is in the music - the sound of the big, wood-panelled room, the coast road empty in both directions and the sea outside the window.
The Swim sounds like a group of people working things out together. If we could do without pre-determined form and without conventions of improvised music; if we could not necessarily be drummer, bass player, guitarist, cellist, electronicist, but sometimes just people playing together in different combinations; unspecialised, unsure. It’s mostly first or second takes. When we did things more times, they usually ended up worse.
Sean Woodlock recorded the sessions, helped us to make sense of the music before and after, and though he will deny it, became one of us. Back at home, the recordings were mixed in a second week by John Harries, and some overdubs added by Ian Stonehouse. Otherwise, they sound now not much different to how they sounded in the room at Sólarmagn. The vinyl cut was by Noel Summerville, and art and design by John Harries"
image courtesy by : Adaadat records, Rutger Hauser soundcloud link: the Swim - Rutger Hauser
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